This piece was composed with edits of improvisations with found metals which are combined with field recordings made in Iceland, where I first met Carole in 2013 on a field recording trip with Chris Watson and Jez Riley French. These recordings were made in various spots around Snæfellsnes in North West Iceland. I've also used a recording of water underneath a jetty in the Antibes in 2015, as Carole used it in one of her Sounding Out radio shows for Resonance FM. The piece also uses recordings made from the back of Carole's house, where I stayed on recent London visits, as well as from around her neighborhood in Battersea.